As one of those fans, I was instantly mobilized. I was 21 years old at the time, a wide-eyed blogger myself, and when I pressed play on that song and heard, “Even when my album leak, fans still buy it for proof,” goosebumps blanketed my body. 3,” featuring his label-mates Ab-Soul and Jay Rock, to Soundcloud in the tiny window between the leak and the project release date. City, surfaced in zip file form and spread like wildfire online several days before the official drop, prompting K.Dot to reactively record and upload the beautiful, frantic “The Heart Pt. One of the biggest albums of the 2010s, Kendrick Lamar’s Good Kid, M.A.A.D. If you were unlucky, a single or two-sometimes even the whole album-would leak somewhere on the internet a day, or two days, or a week before it was set to release. There was no standardization of music release timing or “best practices” that artists and management were pressured to adhere to everything was powered by instinct, especially if you had not already fully “made it.” If you were an A-list artist signed to a major label in the early 2010s, your music would go live on iTunes at midnight, Monday night into Tuesday, and in CD form (remember those?) in stores like Best Buy and Target at 10 am Tuesday morning. The blog era was the wild west of music distribution and discovery. This is not about me, but I’ve had countless conversations about this subject in the past few months, and almost everyone that participated in that era has a different version of the same story, so I’m going to share mine. Tim is an artist manager, writer, and blog founder, and we decided it was time (once again) to look back at the music blog era. That playlist and the songs and artists included (or missed) started a lot of conversations, and one of those was with Tim Larew. The band plan to release more singles this year and are working on a new album in 2024.A few weeks ago during a bout of nostalgia, we launched a new Spotify playlist called Blog Era Hits. No better way to crash back into the scene with a loud bang! But, for what it’s worth, the song is nothing short of a ball. It is, after all, possible to champion justice and equality while remaining critical of movements and methods across the board. Well, to be honest, a part of the man writing this piece is sincerely hoping that any further remarks on this and other relevant issues will not unnecessarily veer to the conservative side. And, like true punks, they claim their throats are stuffed with “plenty to say”. Since the 2000s, they have toured in support of bands such as The Nightingales, The Monochrome Set, Frank Sidebottom, Alternative TV and The Fallen Leaves.įractured will be soon hitting the road, with gigs set to take place in Bristol (8 June), Brighton (14 July) and on the Introducing Stage at the Rebellion Festival in Blackpool (6 August). The four-piece ensemble first formed in 1983 before taking a 16-year break. Well, why not, given how subjective such concepts can be? Only to then winkingly close every stanza by repeatedly reassuring the listener they mean “no offence”. The lyrics are as vague as the justifications of many warriors of sacrosanct virtue can sometimes be and unravel as a playful banter: “I’m offended that you’re offended”, “I’m disappointed you’re disappointed”… Meta-offence, if you will. “No Offence” is a tongue-in-cheek take on the meaninglessness that often takes over conversations about social justice these days. “No Offense exudes the brash confrontational joy that every punk jam is legally obliged to deliver while making some tongue-in-cheek remarks on society” Every chord oozes sheer joy as do the brash snotty vocals (in that endearing Cockney accent, of course). Judging by Jeff Hayward’s fierce delivery and the stellar guitar work, you can tell the band hasn’t lost a single drop of their punkish brattiness since their debut in the eighties. Back after a 16-year break, here come Fractured, bringing on a good dose of that sweet cheekiness. In a world ruled by post-modern, post-logical reasoning, where even concepts like aggression and offence may be so easily trivialised, some old-fashioned unpolished punk irony may well be the best way to approach current good-intentioned excesses. Fractured return with a punk rock jam that wields ironic cheekiness against the excessive fussiness of modern life.
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